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Tango

Take Five with Lucy Hare

Lucy Hare plays the double bass and is in great demand as a freelance player in London and abroad.  She has worked with many of London’s major orchestras, chamber ensembles and recording companies. 

A traveller, gastronome and dancer at heart, Lucy’s unique percussive playing brings together her wild energy and love of world rhythms and music.  Obsessed by the tango she has formed her own tango quintet, Tango Volcano.  She has recently acquired a new passion, gardening, and she likes nothing more than spending hours with other gardeners over their veg boxes, wine glass in hand, discussing slugs and compost. 

Lucy plays with The Oxford Concert Party, one of my clients, who will be recording their new live CD on 18 October in Oxford and you can book tickets here



In your professional life, what is the single best thing about what you do?
The “single best thing” is actually three fold. It is a mixture of the discipline of years of learning my instrument, the high artistic worth of the material I work with (the music) and the amazing results of a team of musicians, be it a group of five playing tangos or a symphony orchestra of 100 playing at the Last Night of the Proms. When all those things come together the rewards are astonishing.

Do you have a creative hero / heroine and if so, why?
There are so many people who inspire me, but some of my absolute favorites are:
Semyon Bychkov (conductor) for his profound understanding of music and the ability to put this across to an orchestra, lifting the game of every single person playing for him;
Rupert Goold (theatre director) for his ability to see the unexpected and present audacious productions of plays which have you on the edge of your seat for the entire performance, in fact I don’t think I have ever used the back of my seat watching one of his productions;
Nancy Kline (inspirational coach) for her ideas on how to listen;
Pina Bausch (dancer and choreographer) for her total originality and ability to express the human condition through movement;
Simon Russell Beale (actor) for his passion and commitment of every cell in his body to whatever part he is playing at the time,
and JS Bach for his transcendence of all music that has come before or since.

What piece of advice do you wish you had been given at the beginning of your career?
That what ever level you enter at, you will always be seen at that level….. so go in to everything At Your Best!!

If you hit a creative block, what is your top tip for getting through it?
I’ll try anything really, a mixture of discipline and time out, in the garden or reading, or seeking support or inspiration from friends. Actually half an hour out for an espresso usually does the trick!

And finally, for fun, if you were a shoe, what type of shoe would you be and why?
I’d have to go barefoot.  It’s honest, grounded and tickly (I’m talking about the countryside, indoors or the garden, not London streets!).

Tango and the Art of Workshop Presentation

Tango Caress photo by Deborah Henry-Pollard of Catching FireworksDo you ever think that although you can do creative thinking, you can’t do business thinking?  This is something which comes up a lot with my clients.  I always think that although there are, of course, certain things about which you should be aware as a freelancer / self employed / small business – tax, cash flow, legal responsibilities, etc., these are tools and skills which can be learnt from good basic business books.  However, your creative talents and attitude can be key to how you approach the business side of your practice.  

As an example, I run workshops, often with The Good Witch of the North, Diane Parker.  In the past, I would write the whole presentation down so I would know exactly what was going to happen every minute.  Now obviously, preparation is very important because unless you are advertising yourself as an improv performer, you can’t expect people to pay to watch you making it up as you go along.  However, writing out every word did not leave a great deal of space for interaction and the joyous, spontaneous insights which often come out of workshops.  

I knew this was a problem and tried to solve it by going down the business thinking route, such as reading a book or going on a course.  But the answer actually came to me when I was dancing the Argentine Tango at The Tango Club in London.  This is something I love doing, something which is essential to my well being.  One of the key elements of the tango is that although there are individual steps which are learnt, how they are put together is completely improvised, based on factors such as the connection you have with your partner, the music and how much room you have on the dance floor.  

It suddenly occurred to me that this was my key to running workshops; the learnt steps are the essential preparation, the music is the structure of the workshop and my partner(s) are the workshop participants.  At the risk of sounding immodest, I am a reasonable dancer and being able to take the attitude and confidence of my creative dance skills and apply them to workshop presentation has completely changed my approach for the better.  

How could you use your creative skills to improve and enhance the business side of your practice?  

Have you found the answer to a business problem whilst concentrating on a creative task?